May 1st, 2006
Does one mortar really outperform another?
By Mike Micalizzi, Manager, Technical Services, MAPEI Corporation
The best scientific minds around the world have spent endless hours and tens of thousands of dollars developing new grouts and mortars that promise to speed up your installations, reduce your callbacks and increase the life of your installations. The question in every contractor’s mind is naturally, “Is there really a difference between all these products; and, if so, how can I tell?”
The answer is: Yes, there is a BIG difference.
After years of research and negotiation, the mystery of mortars is about to become de-mystified. Through voluntary participation, a body of technical experts operating under the oversight of the ISO 13007 Classification Standards Technical Committee 189 have agreed upon a set of universal, global standards for the tile-setting industry. ISO is the International Standards Organization, made up of members from the National Standards Bodies of more than 190 countries. (ANSI is the National Standards Body of the United States .)
Essentially a combination of American, British and European ceramic tile adhesive standards, these new standards require that an adhesive pass certain minimum performance tests before it can be accredited with a performance classification. The classification is expressed in letters of the alphabet and numbers. The letters indicate the type of adhesive and special characteristics, while the numbers indicate whether the performance is “normal” or “improved.”
In total, there are more than 35 different combinations under which a product may be classified using the ISO 13007 performance standards versus the existing—and more familiar—eight (8) ANSI classifications. The bottom line? Contractors and installers no longer have to interpret the marketing hype that has become increasingly common within our industry. Instead, they can choose mortars based upon installation conditions and product classifications.
Why are standards only becoming available now?
It took a long time for all the ISO members to agree on which tests could be reliably performed and give meaningful results. The ISO 13007 standards require manufacturers to prove product performance in more detail and in more consumer-friendly ways. Under this new classification system, manufacturers must be able to prove and declare on the packaging itself how the product performed under various tests. One example is the text for adhesive strength after freeze/thaw cycles—a test that involves 14 days of curing, then 21 days of water immersion, then 25 freeze/thaw cycles, then a test to meet a minimum prescribed shear force. If this sounds complicated, it is. Manufacturers must gear up for these new standards. This often involves expensive equipment, better-trained technicians, and more precise engineering.
The process may be complicated from the manufacturers’ side, but the end result for the installation industry (including architects and specifiers, distributors, dealers, contractors and installers) is a simple-to-follow alphanumeric classification system. Those manufacturers at the forefront of this technology will leap ahead of their competitors by providing today’s increasingly sophisticated customers with needed information for their purchase decisions.
Chart courtesy of MAPEI Corporation
How do the ISO 13007 Classification Standards impact the tile-setting business?
With upwards of 115 mortars on the market within the U.S. alone, product differentiation has been a minefield for the installation market. Once the ISO 13007 Classification Standards enter the U.S. market, contractors and installers will be able to make better-informed decisions about the choice of products for their particular installation. Under the new standards, manufacturers bear the burden of proving that the product does, in fact, perform as they are promising.
With immediate and strong support anticipated from the architectural and specifier communities, U.S. manufacturers are moving quickly toward classification of their product lines. It is believed that once product categories are called for within design specifications, all levels of the installation supply chain will be impacted. For manufacturers, the race is on. For distribution channels, a major shift in expected installation knowledge is imminent.
Is this just a clever way for manufacturers to sell higher-priced products?
Interestingly enough, an installer may be able to reduce costs with these new classifications. Depending upon the installation conditions and the materials chosen, he may find that the product he is currently using is over-engineered for the installation. ISO 13007 classifications are designed to pinpoint the correct product for any installation.
Are other installation materials covered under this new system?
In addition to adhesives of all types (mortars, mastics, epoxies, etc.), grouts are being classified as well. Although there are not nearly as many combinations of ratings, grouts have at least 19 classifications they can fit into—such as an improved cementitious grout that is fast-setting (CG2F). See chart for more detail.
When is the industry going to see the benefits of adapting the ISO Classification Standards into their businesses?
That depends upon the manufacturers’ products dealers choose to carry. Depending upon their level of commitment toward the future, manufacturers are at different stages of testing their products’ performance. Within the United States , a few companies began testing about two years ago. Those manufacturers should begin their new packaging rollouts within the year. For others, it’s a game of catch-up.
May 1st, 2006
Knowing the upside and the downside of these products, and educating the customer, is key to their satisfaction.
By Jeffrey Steele
At Surface Concepts, a Laguna Hills, Cal. company that offers tile, stone and glass coverings, many stroll into CEO Lisa McVey’s showroom with preconceived ideas about their preferences for either stone or tile. “If they want tile, they want a porcelain,” McVey says. “Or they want stone. But do they leave with that same mindset? No!
“They find that they can buy tile that looks like stone, and avoid the upkeep. Or they realize they can get a stone that possibly has a lot more opportunity for edge characteristics, much wider range of color variation and a wide range of surfaces.”
In short, many people are convinced they absolutely, positively know all the pluses and minuses of their favorite covering products, only to find their preconceived notions turned on their heads. And that’s what makes comparing tile and stone so much fun. With that in mind, TileDealer talked to some industry experts to learn their thinking regarding the benefits and drawbacks of each covering material.
Both tile and stone have distinct advantages. Tile’s benefits include a non-porous nature, lighter weight, easier installation and a look that’s increasingly natural looking, says Rick Danter, certified kitchen designer through the National Kitchen and Bath Association, and senior designer with McNulty Design Group in Glencoe, Ill. “If you have a glazed ceramic tile, it’s sealed,” he says. “And with a glazed seal, it has the advantage of being non-porous. It doesn’t absorb bacteria, so that will not be absorbed into the surface. That’s more a concern with kitchen countertops than floors.”
Howard Pryor, CCS, CTC, director of architectural services with Harrisburg, Pa.-based Conestoga Tile, also appreciates the non-porous qualities of tile. Ceramic tile is mold and mildew resistant because it’s an inorganic material, says Pryor, whose 47-year-old company carries both ceramic tile and stone. “Stone is more porous than tile, so there are areas for mold and mildew to collect and grow,” he says.
Because both ceramic and porcelain tile are lighter weight than stone, they’re also easier to install, Danter says. Ceramic and porcelain tile are generally installed with thin set adhesives, while stone requires cement or mortar, which adds to the cost of the stone. In addition, ceramic and porcelain tile now offer patterns that mimic the look of natural stone, he comments. For that reason, individuals looking for the appearance of natural stone but without the upkeep and maintenance often choose tile.
Pryor also comments on the increasingly attractive look of today’s tile products. “Ceramic tile today has double-pressed, double-loaded materials,” he reports.
“That allows it to mimic the look of natural stone. One Italian company has come out with a vertical-loaded process. They can take a digital picture of stone and with the vertical-loading process manufacture a porcelain tile product that looks exactly like the stone product. The beauty of porcelain is you can’t scratch it as you can with stone. It’s impenetrable from staining and it’s frost resistant, so you can put it outside.”
Ellen Cantor, ASID, CID, and president of Torrance, Cal.-based Ellen Cantor Interior Design, agrees with the observation about porcelain tile. An interior designer who specializes in residential remodeling and new construction, Cantor notes that porcelain tile is one of the strongest materials that can be applied to a floor.
Advantages of Stone
When experts discuss stone’s many advantages, they invariably start with one simple fact. Stone is, in Pryor’s words, “God-made,” and is the most natural surface you can apply to walls, countertops or floors. It’s also absolutely unique in all the world, remarks Guido Gliori, a board member of the Marble Institute of America, and executive vice-president of Eagen, Minn.-based Grazzini Brothers, an 85-year-old Twin Cities-area subcontractor that installs tile, terrazzo and stone products.
“No two stones are the same, so the appearance of the material is varied,” Gliori says. “You go out and buy a green granite or a green marble, and I’ll buy the same product and they’re not going to be exactly alike. That gives people something that they alone can boast about, because it’s not the same as any other stone.”
In the eyes of many, stone is also the most beautiful of all covering materials. “The fact that tile manufacturers are more and more trying to copy the look of stone says a lot about the preference for stone,” Gliori says.
Adds Cantor: “I work with travertine, slate and limestone for floors, and granite for countertops, and there’s nothing more beautiful than natural stone.”
While some cite upkeep as a major negative of stone, Richard Scott, president of Seattle‘s Status Custom Ceramics, says that often depends on the type of stone. For instance, dense granite will require less upkeep than many other kinds of stone, he notes.
Is there a downside?
While tile has many advantages, it’s not perfect. What it offers in the way of cost-effectiveness, ease of installation and other benefits may be at least partially offset by other considerations. Among them is the fact tile lacks the uniqueness of stone, according to Gliori. “Porcelain tile manufacturers can come up with five or six appearances and vary them slightly, but they can’t come up with a million,” he says.
There’s also the issue of prestige. “There is the perception stone carries more cache, more status,” observes McVey, adding with a laugh: “Though sometimes if I put both [tile and stone] down side by side, people can’t tell the difference.”
Also among the disadvantages of ceramic and porcelain tile is that both feature ridges that make them difficult to clean, particularly in the kitchen, Cantor says.
“So I encourage my customers to choose a smoother tile, and one that doesn’t have little indentations where the dirt can get in, especially if it’s a lighter color,” she says. In addition, ceramic tile isn’t as durable as porcelain tile, she notes. “If it’s not through-body and it chips, you’ll see the different color in the area where it chipped.”
Maintenance concerns top the list of disadvantages associated with natural stone. According to Cantor, stone has to be sealed every year, which makes it problematic for busy families. “If you’re using limestone or travertine, which are usually lighter materials, and you stain it by spilling wine, tomato sauce, orange juice, mustard or vinegar, you have to be careful to clean it quickly,” she notes.
“If you leave it on even for an hour or two, you will have a stain. Sometimes you can get that stain out yourself, but if it’s really bad you may need to have a professional come in. It can be removed, but stone takes more care.”
Danter also cites maintenance as the chief disadvantage of natural stone. Some kinds of stone require sealing every six months, others every year, he says, although he admits some of his clients have gotten by with sealing every year and a half. There are natural stone products that don’t necessarily have to be sealed, he adds, but most stone manufacturers suggest putting down a sealer, which will repel the majority of stains.
For his part, Pryor says sealers are necessary on marble, granite, slate and limestone. “Once you start, that’s a lifetime process,” he adds.
“Sealers will wear according to traffic patterns, and then they have to be stripped and reapplied. There are penetrating sealers that are better than top finish sealers because they are permanent, and never need to be reapplied again.”
Another downside of natural stone applies particularly to slate. While a beautiful flooring material, it can be uncomfortable to walk on barefooted, Cantor says. It’s sold in both ledgered and non-ledgered versions, and the former has levels, which can make it feel as though you are walking outside on rock if you trod it in bare feet, she remarks.
The lack of uniformity offered by natural stone is also a downside, according to Pryor. Many of his uninitiated customers expect stone to be uniform in color and consistency, and quickly find it simply is not. Customers of Conestoga Tile can return stone within a week for a refund, but they must return the entire order.
“That’s because people tend to pick out the best stone and return the rest of the order, which leaves companies with discarded stone,” he says.
For that reason, he recommends stone be “laid out dry” before it’s installed so customers can get a sense of how it will look when set. That helps avoid the problem of customers disapproving of the way veining or shade variation has been placed.
“With stone, you get what you get,” he notes. “There’s a lot of variation, and it has a lot of imperfections and blemishes, but that’s also the inherent beauty of it.”
One final negative is that the cost of stone, when one factors in life cycle maintenance, is substantially higher than ceramic or porcelain tile, experts say.
“A nice, high-quality stone will run you close to two to three times what a nice quality porcelain will run you,” Scott says. “Then you have your installation, which will be more expensive. A good installer should lay it out first, to make sure the stone looks good together and that each piece is totally unique.”
Pryor echoes the sentiment about cost, and provides numbers to back up his analysis. Ceramic tile can cost as little as 32 cents per square foot per year in life cycle costs, which includes owning, maintaining and disposing of the product. By comparison, marble can cost up to 61 cents per square foot per year, he reports.
Citing a study by Scharf & Godfrey, Pryor says the approximate installed costs of ceramic tile and porcelain tile are $6.83 and $8.30 a square foot. Compare that with marble, which as a category installs at $21 a square foot. The least expensive marble, a Turkish travertine, comes in at $12.50 a square foot, he reports.
What’s Best for Commercial and Residential Applications?
Ask experts if tile or stone is best suited to residential or commercial applications, and you may find yourself receiving widely varied answers. Danter believes natural stone’s high cost and upkeep makes it better suited for residential than commercial environments. “Natural stone would almost be prohibitive to use in a commercial setting,” he says. “It’s the upkeep and maintenance. And unless you’re doing a real high-end boutique or clothing store, natural stone is kind of cost prohibitive.”
Pryor says granite countertops make up most of the natural stone in residences. “Commercially, you see a lot of stone being used in floor and wall systems, particularly in high-end hotels, where they like the look of natural stone,” he says. “You’re starting to see the ceramic tile companies come out with products that assimilate that look. Down the road, the ceramic tile manufacturers will be able to give them that look, but at less cost and better performance, because it doesn’t stain and scratch.”
Ellen Cantor, president
Ellen Cantor Interior Design, Torrance , CA
Rick Danter, certified kitchen designer, senior designer
McNulty Design Group, Glencoe , IL
Guideo Gliori, executive vice-president
Grazzini Brothers, Eagen , MN
Lisa McVey, president/CEO
Surface Concepts, Laguna Hills , CA
Howard Pryor, director of architectural services
Conestoga Tile, Harrisburg , PA
717-564-6860 ext. 4252
Richard Scott, president
Status Custom Ceramics, Seattle
May 1st, 2006
By Jeffrey Steele
“It’s not having more dealers every year, but finding ways to better serve them.”
Artisan tile manufacturer Trikeenan Tileworks has generated some major national buzz over the past few months. First, the 15-year-old New Hampshire company’s booth captured the “Best in Show” award at the May 2005 Coverings exposition, besting some 1,200 other exhibitors. Soon, Trikeenan’s owners began appearing on the nation’s TV screens, on shows like This Old House, Bob Vila’s Home Again and others set to air in 2006.
Recently, Stephen Powers, who with wife Kristin founded and owns the company, sat down with TileDealer for an in-depth interview. In the enlightening One-on-One that follows, Powers recalls the early days and rapid growth of Trikeenan, discusses the company’s working relationship with tile dealers, and expounds on the design trends likely to emerge in coming years.
TileDealer: Tell me about Trikeenan’s genesis and evolution.
Powers: My wife and I are both graduates of the Rhode Island School of Design. Kristin’s degree was in ceramics; mine was in printmaking. We met after we’d graduated, and we were both working at a restaurant. Kristin had convinced the owner that at the same price as cheap tile, she would make hand-made artisan tile for the bathroom of the restaurant. I was intrigued with the whole process, so I just volunteered to help her out. It was just a very cool process. We had no tools, no studio. It was just an adventure in tile. We had a moped, and we transported dry tile across town to a friend’s kiln, fired it and transported it back to the apartment on a moped.
At that point, we decided this is something we both wanted to do. We became a couple, started making tile and eventually married. We began making tile in the basement of our house, really rudimentary, pounding it out on small frames—just learning about the craft of making tile.
Fifteen years ago, there were very few people making art tile. We started taking it around to people selling tile, first to Boston. It was an interesting time, because it was so new. We got a little bit of encouragement. We did Coverings, which at that time was called the International Tile and Stone Exposition, out in Anaheim, California. That was really when we jumped off the cliff. At that time—1992—there were maybe two or three other art tile studios exhibiting at the show.
We grew pretty steadily. In the early years, we tried to hold down the growth. We tried to keep it somewhat manageable, and as a studio environment. We had a young family, and had to keep a manageable life. We averaged between 50 to 75 percent growth a year, but on a small base. It’s been evolutionary. We moved from a studio to an old mill building in 1997. Within three years, we’d grown out of that, and into our current location, a bigger mill building.
Today, we sell coast to coast, with some accounts in Canada. We have about 130 dealers nationally. In the last five years, we’ve averaged 15 to 18 percent growth per year. We have about 35 employees across the company, and by and large, we train them ourselves.
TileDealer: Trikeenan has had some significant national exposure lately. How do you go about getting that kind of publicity?
Powers: We were on some HGTV shows, and on This Old House on PBS. And we’ll be on Bob Vila’s Home Again show. I think there are a number of factors. I think we make great tile. It’s different, unusual and special, and people respond to that. We certainly make a concerted effort to obtain exposure. We value that; it’s a great way to get your message out.
It’s not always easy to quantify dollar sales after a show airs. We do analyze our Web site, www.trikeenan.com, and have tools to basically decipher where people are coming from, or where they’ve seen us. We can tell if someone has come from the This Old House Web site to our site, for example. We do get jobs from local people who come right to our showroom.
But we also see increased traffic from our dealers. We take the hits to our Web site after the show airs, and funnel them to our dealers.
TileDealer: Trikeenan was awarded “Best in Show” at Coverings last year. What enabled your company to capture that award?
Powers: In total, there are about 1,200 exhibitors at Coverings. So we were incredibly honored to be recognized. We really felt the booth we had at the show reflects our product. I designed the booth, fabricated it and built it myself. We don’t farm it out to a trade show booth firm.
Our booth has got to reflect our tile, and our philosophy toward our clients. So we felt it was an honor for our booth to be recognized, because we’re competing with some of the finest companies in the world, many of them much larger companies. Your booth has to not get lost in the crowd, on the floor of the show. That was our main goal: to get people’s attention. And we felt it really did that well.
You see more art tile companies every year, and you see many of them at Coverings. The Tile Council of America does a great job of encouraging people to participate in the show.
TileDealer: How can dealers leverage the publicity a manufacturer receives, or create their own?
Powers: One thing we definitely do is keep our dealers informed about the coverage we receive, so they can be aware of it if a customer asks. We also send high-resolution imagery out to our dealers in digital form, so they can have a wide repertoire of installation shots, enabling them to expand on their own customers’ visions of what they want.
As the publicity starts to snowball, we’re making significant changes to our Web site, as it pertains to our dealers. We’ll be adding additional tools for them, to enable them to capitalize on the publicity we’re receiving. We do see dealers starting to use our product in promoting their showrooms. As the exposure grows, [dealers] want their clientele to know this is where you can source the product. So as we get more publicity, we’re having more dealers use our product in their own advertising. Generally that’s an independent activity. Often, we’ll have dealers ask us for images or photography we can supply, and we certainly are happy to cooperate. It’s not having more dealers every year, but finding ways to better serve them. That’s our mantra.
TileDealer: Trikeenan seems to have captured some interesting and timely design trends. What are some of those trends, and why do customers respond to your tile?
Powers: When we started out, we did a lot of sculptural relief tile, and hand-painted tile. That served us well in the early years. But what we found is there is so much [of that] out there, clients wanted to see more interesting patterns, sizes, colors and textures. So now we’re doing more dimensional brick sizes and a whole line of mounted mosaics, which is really where the growth has been in our company. In terms of how we see these trends, I go around to showrooms, see what people are responding to, talk to dealers and read the trade publications.
Having our own showroom is an added benefit, because we’ll often do tile for people as a special request, and then that style will be rolled into our line. Ultimately it comes down to our aesthetic judgment. Does this fit with what the Trikeenan look is? You can have your ear to the ground, and respond or react to trends. But in the end, some of the things we offer that sell the best would not be on the list of this year’s hot color. They buck the trend.
TileDealer: What is your process for staying on top of design trends?
Powers: We look around a lot. We look across industries. We’re looking at industries like the furniture industry. And we don’t just look at America. My wife grew up in Europe, so we have a certain connection to a European aesthetic. But we always try to translate that into our product looking like it’s coming from an American perspective. And that’s tricky, because people don’t always view tile in America as having a rich tradition and history. But there’s quite a lot there. There’s actually a lot of depth in American tile history. And we try to blend the best part, or what we like in the American tile lexicon, and bring a more modern sensibility to it.
TileDealer: What other ways do you work with and support your dealers?
Powers: Training our dealers is big. One of the most effective things we do is hold seminars in our factory and showroom. We invite dealers to come and spend the weekend making tile in our factory. We take them all the way through the whole process. It results in a really complete depth of knowledge in the possibilities of Trikeenan.
We also get to personally connect with the salesmen, and that’s really valuable. They come from all over the country. At our last seminar, we had people from New Orleans, San Francisco and New York. They love Keene. We host them all weekend long. We take them to dinner and have a reception for them. Then we have two full days of tilemaking and tile selling activities.
TileDealer: Where do you see tile trends going in the next year? And the next five?
Powers: Most tile companies will look at this high-end market as the place where the growth is headed. So obviously, we’re trying to be smart about that, too, and position our company where we can take greatest advantage of that growth. I think that is longer term.
TileDealer: What’s next for Trikeenan?
Powers: We’re really working on a program to make our products more accessible to greater numbers of people. It’s a function of looking at a new price structure for our products, and increased volume to keep up with the growth.
May 1st, 2006
By Janet Arden, Editor
Recently the National Association of Home Builders (NAHB) announced that 2006-2007 is the time frame in which green building—which encourages environmentally responsible and sensitive construction materials and techniques—will involve more builders (and presumably consumers) than not.
This is a big step for a movement that’s only about a decade old.
A bit of background
The U.S. Green Building Council (USGBC), founded in 1993, is an industry-led and consensus-driven nonprofit coalition for advancing buildings that are environmentally responsible, profitable and healthy places to live and work. The USGBC has developed the Leadership in Energy & Environmental Design (LEED) rating system that awards points—based on a fairly complicated scale—for using environmentally responsible products and practices. This can range from managing construction waste to optimizing solar energy.
From a regulatory point of view, codes, ordinances and regulations are increasingly favoring green building qualities. A number of governmental bodies have begun to require green construction in their buildings or in buildings in which they have a vested interest. The LEED program has been adopted by various governmental bodies at all levels.
But green building is also driven by culture. The environmental movement is increasingly mainstream. As NAHB discovered in its survey, builders are increasingly green because “they believe it’s the right thing to do.”
NAHB has published its own Model Green Home Building Guidelines designed to move environmentally-friendly home building concepts further into the mainstream. The guidelines, used right now by about 30 communities across the country, help facilitate the adoption of green home building practices and the formation of additional local programs in the parts of the country not currently served by these programs.
The guidelines contain sections covering such topics as site preparation, resource efficiency, energy efficiency, water conservation, and indoor air quality. This last category is particularly important to the tile industry, since the NAHB guidelines call for the installation of moisture resistant backerboard, not paper-faced sheathing, under tiled surfaces in wet areas. The intent of the recommendation is “to reduce the risk of problems if water penetrates tile surfaces in kitchens and baths.” The recommendations go on to say, “A cement-based backerboard does not contain organic paper that can deteriorate, swell (potentially causing cracking in the grout), and be a substrate for mold growth when wet. Cement backerboard is resistant to the deleterious effects of moisture.”
Earlier this year, the Responsible Solutions to Mold Coalition (RSMC) (see March/April TileDealer) was established within the tile industry to ensure the communication of more accurate information about mold avoidance and control.
Obviously, moisture control is only one of the issues related to green building. Others include—but are not limited to—recycled products and products manufactured close to the building site to cut the costs of transportation in both dollars and energy,
What does this mean for consumers & tile dealers?
Green building has become increasingly important in construction and remodeling, first, of course, because residential and commercial consumers are asking for it. They want to save energy and water and enjoy improved air quality. Typically these factors add up to long-term operational savings as well. This is always advantageous, but even more important in these days of volatile energy costs.
According to the USGBC, LEED certified buildings have lower operating costs, higher lease rates and happier and healthier occupants than conventionally built structures.
If you’re selling and/or installing floors, backsplashes or bathrooms for these builders, it’s time to do the research and get more knowledgeable about green building issues. Consumers are increasingly well-versed in green building as well—or at least they want to be—making your knowledge about green building issues an important factor in distinguishing yourself from the competition.
Knowledge will not only help you answer questions, it may help you outflank competitors who are not well-versed in green building.
The U.S. Green Building Council (USGBC) is the nation’s leading nonprofit coalition for advancing buildings that are environmentally responsible, profitable and healthy places to live and work. Major programs supporting its mission include the Council’s Leadership in Energy and Environmental Design (LEED®) Green Building Rating Systems™ for New Construction, Existing Buildings, Commercial Interiors and Homes; LEED Workshops; LEED Professional Accreditation; the Greenbuild International Conference & Expo; and a robust local chapter program.
Today, USGBC includes nearly 6,000 member companies and organizations—representing more than 1000% growth in the past four years alone. During that same period, more than 458 million square feet of building space has been registered or certified under LEED, and the annual US market in green building products and services has grown to $7 billion.
The Council is as diverse as the marketplace, including building owners and end-users, real estate developers, facility managers, architects, designers, engineers, general contractors, subcontractors, product and building system manufacturers, government agencies, and nonprofits. Leaders from within each of these sectors participate in the development of the LEED Rating Systems and the direction of the Council through volunteer service on USGBC’s open committees.
May 1st, 2006
Form followed fashion at Coverings 2006, where the hottest looks on the expo floor came straight from the popular consciousness and current styles. Some tiles were textured to look like animal skins while others incorporated their own bit of bling. Products included precious metals and rare stones, sleek minimalism and ornamentation to the max, fresh candy colors and graphic black and white, photorealistic prints and traditional damask designs, earthy natural influences, and tons of texture, pattern, and dimension—in scales from small to large. Vertical surfaces were everywhere, too, as tile manufacturers introduced all sorts of fabulously inventive and decorative options to pave the wall.
Donato Grosser, a longtime consultant to the ceramic tile industry who presented one of the 70 free seminar sessions during the four-day international trade show, predicts that the future of the ceramic tile market in the U.S. is increasingly at the high end and strongly becoming a fashion business. Customization and the luxury looks that end-users demand are becoming a greater reality thanks to technological innovations, such as the water-laser jet cut.
Ceramic tiles are putting on a stone face, these days, mimicking everything from granite, marble, and basalt to flagstone, schist, and shale. Many of them are textured, such as an elegantly routed version from Tau. Porcelanosa, in its L’Antic Colonial Collection, has stone mosaics, large, shale-like pavers with textured surfaces, and even mini bricks, called Brick Butan, which can be used to construct a vertical surface that resembles traditional Pennsylvania fieldstone.
A reverence for wood was everywhere, with ceramic styles so realistically resembling wood grains and species, from bamboo to mahogany, cherry, maple, and teak that showgoers were doing double-takes. But, with the advantages of ceramic vs. wood so compelling—resistance to moisture, bug infestations and wear, and requiring minimal upkeep—the ceramic editions were winning fans easily. Among the most impressive exhibitors of this genre were Caesar, whose Feel collection was shown in a variety of shapes from square tiles to planks and trims, in colors that range from the palest neutrals through such saturated shades as jade, ocean, and moonlight, with the option of insets glass strips that add both design interest and a little luminosity to the surface underfoot. Exelle was offering Yacu, a wood-like tile with a Japanese feel, which it is showing with Decoro Flower, a decorative tile with a floral pattern influenced by both William Morris and Japanese textile design.
Don’t forget the bling
Metallic surfaces were popular; shiny titanium, chromed or brushed stainless steel, and gold teased the eye, as did the patinated bronzes and corten steels that have taken the market by storm. Furthermore, insets were everywhere—from colored glass “jewels” set randomly or in patterns to metal-finished mini-moments for visual interest. Deltaker’s Plasma Series and Special Pieces, for example, were sporting iridescent metallic finishes, in brilliant saturated colors such as magenta and cobalt. Geleite Building Material Co., Ltd., a relative newcomer from China, was offering a range of stainless steel finished tiles and mosaic patterns from traditional interlocking lozenges and herringbones to circles. Iris also was showcasing a metallic surface that dazzled with its semblance to steel.
A continued infatuation with mid-century modern design along with the ‘70s retro revival also had an impact, effecting color palettes, textures, and surface patterns. Viva’s Central Station collection included the Simple Emotion series of inserts, with sophisticated nostalgic patterns that range from poppies to branches to sunbursts—in the flame reds, teals, and avocados of an earlier era. Royal Mosa, from The Netherlands, reissued its Kho Liang le Collection, a ‘60s classic of gloss white tiles with a relief of circles, arcs, diagonals and triangles that combine to create unusual effects. Tau was introducing Tissue Dec Pop, a delightfully pop-art-inspired pattern for vertical surfaces in a range of cheery colors. Vitra, the Turkish firm, offered the Koz Series, designer Defne Koz’s inspired abstractions of Iznik patterns from the Ottoman Empire and cypress motifs, styled for contemporary bathrooms. They are quartz-glazed for added durability and light reflectivity.
Wallpaper and Textile Lookalikes…
Another clear-cut Coverings trend were tiles imitating wallpaper and textiles, from flocking to damask to grasscloth and linen. Venis offered Venezia, a traditional Venetian damask that contrasts matte and gloss finishes. Exelle’s Decoro wave is another vertical design with a mid-century modern feel. Tiles also showed some skin, from leather and reptile-inspired surfaces to ostrich and leopard. One of the finest was Cerim’s Croco, a bold, gutsy pattern finished in rich, elegant glazes. Florim Cermiche’s Ma Touche Collection also wowed attendees with four faux textures suggestive of leather, elephant and crocodile.
Candy Colors from Viva’s Bloom, a circular mosaic for vertical application to Vitra’s Penny Round Mosaic made a comeback, yet black and white, was as strong as ever. Etruria Design presented Optical Haring, a collection of beveled black and white tiles (some black with white incisions, some white with black outlines) based on the pop art and graffiti movements launched by the late Keith Haring. Natucer offered Techno, a dimensional tile with an abstracted rose pattern that scales the wall in matte black, gloss white, and a handful of other colors.
The arts and crafts movement also was palpable, especially in glass mosaics and tiles. Oceanside Glass Tile presented Facets, a mini-mosaic field tile in three sizes and a cornucopia of colors, and Elevations, a larger-format field tile and geometrically patterned liners. Motawi Tileworks continued to execute its superb reinterpretations of traditional arts and crafts motifs.
May 1st, 2006
Winners come and go from Charlotte Arena. But a permanent champ is the building’s tile mural, and it earned the Grand Prize in the prestigious Spectrum Awards honoring outstanding use of ceramic tile. Mosaic artist Mike Mandel, of Watertown, MA, created the modern mosaic masterpiece and received the $10,000 cash prize and Spectrum crystal sculpture that were presented at the opening ceremony of Coverings, the world’s leading exposition and conference for ceramic tile and stone.
Mandel’s design, cited by the judges for its brilliance in “uniting modern computer technology with old world craftsmanship and art,” was on behalf of the Charlotte, North Carolina, Arts & Science Council and was installed by D&M Contract Flooring of Knoxville, TN. More than 100 colors of unglazed porcelain and glass mosaic tile were used in the floor-to-ceiling composition that spans an interior wall of a lobby area in the arena. Each one-inch square tile used in the mosaic was equivalent to an electronic pixel. The panels trick the eye, appearing to be billboards or other photographic posters until you move in for a closer look. The images are riveting, portraits of unsung athletes and sports players from throughout the decades.
For a joyous display about women and style within the unusual setting of a pseudo-public restroom, Cravillion Tile & Stone, based in Sheboygan, WI, received First Prize honors in the commercial category. It was installed at the nearby John Michael Kohler Arts Center and featured more than 120 tiles hand painted by artist Cynthia Consentino. Her fanciful representations of hats, handbags, bras, jewelry, combs and other girly items that have contributed to shaping the identity of women also decorated toilet bowls and sink basins. The tile installation was a challenge, requiring a precise fit within the space and defying the conventional way a contractor typically lays tile, horizontally bottom to top, left to right. This job was installed in completely opposite fashion, vertically top to bottom, right to left! It left the judges impressed, saying, “This is original and well-executed.”
An additional First Prize was awarded in the commercial category, going to Twin Dolphin Mosaics for a mos aic pavement in the atrium of the Southern Oregon University Library, Ashland, OR. Solid body porcelain tile was fractured into unexpected chip shapes and sizes then composed into a visual treat of color and pattern that reads attractively at all levels and in all lighting conditions. Ribbons of color weave in and out and follow a spiral movement, as well. There’s a vitality to the artwork, but, a functionality to the ceramics which is easy to maintain, doesn’t fade and wears well with the amount of high traffic the library experiences. Twin Dolphin’s Robert Stout traveled from his studio in Ravenna, Italy, to accept the award.
Conducted annually as part of Coverings, the Spectrum Awards celebrates creativity and achievement in the use of ceramic tile in residential and commercial projects. Serving this year as judges were design journalist Wendy Goodman, whose masthead credits include interior design editor of New York Magazine, style editor of Departures and contributing editor of Elle Décor; and, Jennifer Adams, editor for the past nine years of both Stone World and Contemporary Tile and Stone magazines. They were joined by representatives of Coverings sponsors: Christine Abbate, Assopiastrelle (Tile of Italy); Bob Daniels and Shannon Woodmansee, Tile Council of North America; and Mary Anne Piccirillo, ASCER (Tile of Spain). The Spectrum Awards competition also is sponsored by the Ceramic Tile Distributors Association and the National Tile Contractors Association.
Six Trailers of Exhibitor Donations for Tile Partners for Humanity
A convoy of six trailer trucks pulled out of the Orange County Convention Center at the close of the 19th edition of Coverings carrying tons of ceramic tile and stone from the four-day expo to housing projects in the Orlando area earmarked for families and individuals in need of shelter. Filling 155 pallets, the collection of tile, stone, marble, adhesives, tools, cleaners and sealants represented contributions from the trade show’s 1,200 exhibitors who rallied again this year in a commitment to Tile Partners for Humanity (TPFH). Additionally, Freeman, the service contractor for Coverings, donated the labor for gathering these goods from the show floor and transporting them to Habitat for Humanity, which subsequently helped to distribute the donations throughout the area.
“This is a component of Coverings that makes every one of us feel proud,” said Tamara Christian, Coverings show director and president of National Trade Productions. “It is helping out so many deserving families in the Orlando community who are grateful just to have the very basic needs of a finished floor, a shower, a kitchen. They really appreciate the tile and stone contribution. It is precious material to them because it’s helping them rebuild their lives.”
According to Allyson Fertitta, executive director of TPFH, this is the third year Coverings has partnered with the organization. All told in that time, she estimates exhibitors have contributed materials valued at several hundreds of thousands of dollars. She noted that in addition to being provided for installation in projects currently underway, some of the donations also will end up in the Habitat Home Store and will be sold, generating revenue to help fund new construction. And, as sizable as the product donations have been each year, she said, Coverings management also adds a substantial cash contribution to TPFH. “They are extraordinarily generous.”
“There is a great need for affordable housing in this community,” she continued, “and Habitat for Humanity is doing an amazing job addressing the issue. We are grateful to partners, like Coverings, who step up to the plate and actively work with exhibitors to acquaint them with all the benefits. It’s a win-win program for all who become involved.”
March 1st, 2006
This is a remarkably busy season for the tile industry. There is the flurry of industry shows—Surfaces, Cevisama and Coverings—and the need for those of us in attendance to maximize our time, meeting with established vendors to maintain those relationships, searching out new products, leveraging educational opportunities, and often running our businesses from afar while we do so.
At CTDA we have also been very busy
First, the Certified Ceramic Tile Salesperson (CCTS) examination will be pilot-tested at Coverings. CTDA developed the CCTS program with the help of Southern Illinois University’s Department of Workforce Education and Development. The CCTS program is the first and only program specifically designed by and for ceramic tile salespeople. Certification offers you a way to differentiate your business from others.
We all need to be on top of our business—to know what’s happening. One way, of course, is to read TileDealer. Another is to attend industry events like Coverings.
Coverings is the premier international trade show and conference dedicated to showcasing tile and natural stone. This is our chance to see, touch and handle new materials. To talk with vendors about what they can offer our business and our customers. We all need to know what’s new now and what will be new later. Nothing replaces walking the show floor.
But there is much more to Coverings than the exhibits. Dozens of seminars and speakers are scheduled to help you do business better. These events are planned for industry professionals like you to learn more about products, installations, trends, and running your business. Not taking advantage of these opportunities is like walking the show with your eyes closed. You’re missing half the substance.
CTDA has developed the distributor and retailer seminar track. Here’s just a sampling of the schedule:
• Improving Your Warehouse Safety: Have you made safety part of your corporate culture? Is it everyone’s job or do you assign a few employees to be safety specialists?
• Ceramic Tile Showroom Design and Sales: Seminar leader Patti Fasan will lead you through some simple concepts to transform any showroom into a flooring fashion center.
• Taking Control of Your Business: Al Bates talks about the issues that really drive performance and how to take your business from typical to high-profit.
• The Growing Concern About Mold: Learn about the latest technology to prevent mold, installation techniques to stop it before mold becomes a problem, and the status of insurance issues and the potential for expensive mold claims.
Coverings is also a remarkable networking opportunity. Everyone there is in the same business you are—they have the same questions and some of them already have the answers. Experience is invaluable—whether you’re tapping your own or someone else’s.
I think CTDA members have a real advantage at industry events like Coverings. First, our association relationships encourage us to meet and network with distributors and manufacturers throughout the industry. It’s easy to leverage this networking into better business relationships. CTDA events at Coverings also offer the opportunity to “level the playing field” among competitors large and small. We are, after all, in the same business and sharing many of the same challenges.
But, before you pack your bags and head for Orlando, there’s no time like the present to start leveraging your educational opportunities and this issue of TileDealer has important information you can use now.
For example, the cover story and Installer’s Update tackle mosaics. They may be tiny tiles, but as you know they are increasingly popular on their own or installed in combination with other materials. Take a look at what’s available today and then consider some of the installation requirements for mosaics.
As I said, there’s a lot going on in the industry. CTDA, TileDealer and Coverings are great tools to help you manage it!
March 1st, 2006
by Janet Arden, Editor
“A big part of our job is helping you learn more about what’s happening in the business.”
I have a confession to make. I read grammar books. There is no self-help group for this—no Grammarians Anonymous that I know of, although I do know other editors who enjoy the same indulgence. I do this because language is a significant part of my business and I want—and need—to know what’s happening with it.
So what does this have to do with tile?
We all need to be on top of our business. And, the tile business is increasingly complex. Think of the new products you have added in the last few years—glass, metal, and stone—and the sizes that range from mosaics through increasingly large formats. Then there are the innovations in installation that go with these products. And what about new add-ons like under-floor heating?
At TileDealer we think a big part of our job is helping you learn more about what’s happening in the industry, so you can “stay on top of business.”
This issue, in particular, has some important features on future industry issues.
First, the current One-on-One interview features a lengthy talk with Vince Marazita, president and owner of Vince Marazita & Associates, an international consulting firm specializing in the stone industry.
Why are we talking about stone?
Because stone is an increasingly important product in this business. Many of you are stocking and selling it now—and if you aren’t, chances are good you will be soon. Learning more about stone, especially from experts like Vince, is all part of staying on top of the business.
One of the points Vince makes so convincingly is that stone is no longer reserved for commercial installations and high-end homes. It’s an increasingly important feature in moderately priced homes. Technology has made quarrying and cutting stone more accessible, and that makes it more affordable to the consumer. He points out the number of real estate ads that note “granite countertops” or “marble bath.” Stone is often part of a larger design scheme with other materials. Designers will tell you that stone and ceramic materials are often both installed in the same room.
Stone is just one of the trends we’re looking at now. Another one is exterior tile. Although exterior tile has always been popular in some settings, technological and design advances have made it even more desirable for these installations. Manufacturing processes have improved the hardness and wearability ratings of many porcelains, while design advances have increasingly captured the look of more expensive stone installations. Technology is also a factor driving this trend.
The growth of outdoor kitchens and living spaces has encouraged more use of exterior tile. In commercial settings, porcelain’s greater mechanical strength but lower weight make it an “added value” in exterior cladding. Check out the feature on page 42 on “Exterior Tile Trends” to see where these products are going.
Not all the news TileDealer covers is about a product. One of the most important issues we’ll be covering in the near future is mold. Recently, industry leaders lead by USG Corporation joined to form the Responsible Solutions to Mold Coalition (RSMC). Their purpose is to act as a clearinghouse for accurate information on mold and moisture control. As the RSMC points out, mold is “ubiquitous in nature.” It is always in the air.
We first talked about mold in the July/August 2005 issue. At the time we said mold had become an increasing problem because today’s tighter building practices do not allow moisture to escape. Controlling mold depends on controlling moisture and a food source such as dirt, wood or other organic material. Left untreated, mold can destroy building materials, and remediation is very expensive. More information about RSMC is on page 47. Look for a followup to this important topic in an upcoming issue.
As always, there’s a lot going on in the industry and between the pages of TileDealer.
March 1st, 2006
New Decorative Tile Brand
Olivia Daniels is a new line of decorative tile manufactured through an innovative process using composites rather than ceramics. According to company president Michael Goldman, Olivia Daniels provides an intricacy of design that is hard to find in ceramic tile lines, although it is offered at a competitive price point. “The composite material we developed allows a depth and precision of relief that gives each tile a new dimension of artistry. The hand-applied finishes we’ve created further enhance the appearance of the sculpted areas. The retailers and designers who have seen and touched the tiles are quite impressed with the fineness of detail,” he said. Olivia Daniels will introduce four collections at Coverings—French inspired St. Etienne, classic Palatino, sophisticated Biarritz and Asian influenced Pagoda. Each collection includes a selection of different designs, sizes and finishes.
LAUFEN INTRODUCES BERGAMO AND MURANO SERIES
Laufen continues its tradition of quality craftsmanship by introducing two new series— Bergamo and Murano. Bergamo is a 13×13 and 17½x17½ glazed porcelain tile with a coordinating 10×13 wall tile. It comes in three colors—Haze, Cashmere and Fawn. Trim includes a 3¼x13 floor bullnose, a 3×10 wall bullnose and a 3×3 bullnose corner. A 2×10 listel and 2½x13 border coordinates with all three colors and completes the package. Murano is a 18×18 double-loaded, soluble salt polished porcelain. It comes in three colors—Nocce, Beige and Light Grey. Also included in this series is a 12×12 mosaic in each of the three colors. Both Bergamo and Murano are included in the Laufen Home Program. (www.laufenusa.com)
RAVERA FROM VILlEROY AND BOCH
For those seeking a Mediterranean flavor, Ravera from Villeroy & Boch is a great new choice. This Vilbostone range, far easier to maintain than natural stone, is made of glazed porcelain stoneware that is not only exceptionally resistant to daily wear, but also is frost and acid-proof, making it an ideal surface for outdoor terraces, patios and balconies. Available in light beige, red-beige and gray, the three basic sizes are 12 and 17-½ inch squares and 12 by 23 oblongs. The series includes cut borders with mosaic inlays made of real slate and an asymmetrical option reminiscent of brickwork. (www.villeroy-boch.com)
Introducing Wet Tent
Introducing the world’s best water protection system. Never worry about the watery mess created by wet saws again. For years installers have been propping up pieces of cardboard, wrapping with pieces of plastic and laying tarps under their wet saws. They’ve set up their wet saw outside or in an area removed from the installation. This product has been designed, tested and guaranteed to be a water containment system that can be set up on any interior surface. Wet Tent allows the installer to be closer to the work area, increasing productivity. The Wet Tent looks professional and shows the installer cares about his customers and their property. The convenient, collapsible aluminum frame sets up in minutes and comes with its own carrying bag. (1-888-350-TENT)
SAICIS RECREATES ANCIENT STONE WITH THE PERFIDO SERIES
Gruppo Ceramiche Saicis S.P.A., one of Italy’s top producers of high-end porcelain tile, introduces the Perfido series: a sophisticated floor tile collection. Designed with waterjet cut pieces mesh mounted, this full body porcelain tile series is a recreation of cobblestone presented in natural hues. Perfido is available in Chiaro (light blend) and Scuro (dark blend) and is offered in an 18” x 18” size. Although this series is designed for outdoor areas, it is also appropriate for interior use. Perfido is also perfect for both commercial and residential applications. “Since the Roman Empire people used ‘Porfido’ stones to pave the streets: the stone that was the inspiration for this series,” said Tilia Galerio of Saicis North America. “We do not want to replace this famous stone, but rather, create a mirror image of it to highlight its beauty for our modern society.” Saicis’ Perfido does not need high maintenance. It is a hard and durable tile series that only needs to be washed with water. Multi-loaded with a thickness of 18mm, Perfido has a 0 porosity, as well as frost and stain resistance.
With an aged appearance reminiscent of Africa’s rugged topography, Journey lends a sense of adventure to any room. Available in three earthen tones, Journey combines the best of nature with the most advanced manufacturing technologies to create a level of realism never before offered in stone looks. Homeowners and designers may need to touch the tile’s surface to be convinced that the cracks and crevices in the “stone” aren’t real. Journey’s tonalities are subtle yet rich, mixing well with today’s interior finishes because the variations within each colorway provide an incredible range of design options, from the soft beige of Savanna Breeze to the warm gold of African Sunset to the rich noce of Tribal Path. Designed for residential and light commercial applications, the Journey Series is 3/8″ thick and available in three modular tile sizes: 12″ x 12″, 12″ x 18″ and 18″ x 18″, with a precision edge. These sizes may be mixed together for floors alone, or in floor and wall combinations. A 3″ x 12″ Single Bullnose trim piece is offered, plus Crossville’s own Accent Innovations™ offers a full complement of glass, metal and natural stone tile, trim and borders as accents. The Journey Series is more durable than natural stone, refuses to scratch, stain or fade, never needs sealing or waxing, cleans with just hot water, and is slip-resistant. “The Journey Series has taken the roto-color or roll print technique to the limit of what is technologically possible. The result is an amazing trompe l’oeil effect,” explains Jim Dougherty, vice president of marketing and business development for Crossville, Inc. Barbara Schirmeister, Crossville’s color and design consultant adds: “Homeowners and designers will love working with the Journey Series; its appearance is soft yet sophisticated and its tonalities reflect the color trends we’re seeing today in cabinetry, kitchen and bath fixtures, and paint colors.” (www.crossvilleinc.com)
Architects and designers looking to make a BIG design statement have some BIG new puzzle pieces to play with. Crossville® introduces the Character Series of Porcelain Stone® tile—an urban minimalist look with a slight hint of stone, offered in a giant 24″ x 24″ square tile, plus an 18″ x 18″ square and a 12″ x 24″ rectangle. All have through-body color and rectified edges that may be set with tight grout joints. “Commercial designers of corporate, hospitality, restaurant and retail environments have been asking for a new look in large-scale minimalist tile. Character maintains the sleek appearance demanded by monolithic design schemes, yet its surface texture is softened by the merest hint of veining found in natural stone,” says Jim Dougherty, vice president of marketing and business development for Crossville, Inc. Character’s colorways also set it apart. Most minimalist looks have not offered lighter colors; Character is available in Vanity Almond (a light almond tone) and Joy Beige, as well as Arrogance Black, Liking Green (an olive tone) and Loyalty Moka (a warm brown). An additional option is a Single Bullnose, which is available in all colors. The Character Series is slip resistant, more durable than natural stone, refuses to scratch, stain or fade, never needs sealing or waxing and cleans with just hot water. (www.crossvilleinc.com)
Grout installation is now easier and more reliable than ever with the new, premixed AccuColor EasyTM Ready to Use Grout, the latest innovation from the maker of TEC® brands. AccuColor Easy continues a 10-year legacy of unsurpassed color accuracy and consistency that has made TEC AccuColor® grouts and caulks a top choice among tile installation professionals. A patented, breakthrough formulation, combined with proven technology, makes AccuColor Easy extremely easy to use while delivering predictable results and high durability. Added benefits of stain resistance and mold and mildew resistance make AccuColor Easy a great choice for shower installations, kitchens, and other areas subject to intermittent moisture, high use and foot traffic. AccuColor Easy delivers superior performance regarding durability, stain resistance, mold and mildew resistance, color accuracy and more. A unique, patent-pending formulation eliminates shrinkage, joint cracking and the inability to be used in water-exposed applications—issues traditionally associated with premixed grouts. Because stain-blocking technology is built right into the grout, there is no need to add a sealer. AccuColor Easy contains inhibitors that protect the grout from mold and mildew growth. AccuColor Easy continues the AccuColor grout legacy of providing superior color accuracy. Strict color tolerances for manufacturing and a premixed format that eliminates common mixing errors provide assurance that the installed grout color will be the same as the color sample used to select the grout in the flooring store. AccuColor Easy adheres to existing premixed or portland cement grout, making it an ideal choice to refresh or repair existing grout installations and for problem-solving. Additionally, AccuColor Easy is backed by a limited, lifetime warranty against staining, cracks and fading. (www.tecspecialty.com)
MEDITERRANEA PRESENTS THE INDIAN TRACE COLLECTION
Sardinia, Italy, an enchanting Mediterranean island, lost between the Italian mainland and the northern tip of Africa, represents a unique blend of color and vibrant landscape. From this floating diamond in the Tyrrhenian Sea, Mediterranea, an Italian-based, multi-national tile production and design firm, has quarried a magical blend of flavorful stones to create a bold new tile collection titled “Indian Trace.” Indian Trace uses a rich blend of natural colors and unique shading to create a series full of earthen charm and inspiring movement. Using the very latest in Rotocolor technology, this glazed porcelain tile presents a new and unique honed finish stone look that invokes a sense of the islands’ natural surroundings. This level of technology lends a dramatic sense of movement and variation to this collection, making each tile as different and autonomous as the natural stone that gave birth to the Indian Trace collection. Developed in Italy, the series is produced in a plant in Argentina rich in history and experience. This facility recently completed a large-scale investment in glazing and graphic equipment, including a brand new, double battery, eight-head, jumbo Rotocolor machine capable of providing twice the amount of graphics normally utilized in glazed porcelain production. This collection is offered in three sizes: (6 x 6”), (13 x 13”) and (18 x 18”), and available in five natural colors: Sioux (Ivory), Cherokee (Cream), Comanche (Taupe), Apache (Terracotta) and Navajo (Noche). Indian Trace passes C.O.F. testing requirements for ADA, making it ideal for both residential and commercial spaces. (305-444-3676)
Our November/December feature on Showroom Trends pictured these space-saving racks, but inadvertently omitted the manufacturer— McColl Display. To learn more, go to www.McCollDisplay.com or call 888-462-2655.
Coverings Seminars Target Distributors and Retailers
Distributor and retailer attendees at Coverings 2006 can choose from more than a dozen FREE educational seminars being offered during this year’s show. The four-day expo and conference April 4 – 7, at the Orange County Convention Center in Orlando, Florida, includes sessions to address subjects such as how to retain and train employees, the dos and don’ts of selecting computer software to monitor inventory, how a customer-friendly showroom can increase sales and other valuable guidelines that are vital to building a more successful business. Other topics include Green Building, The Future Of Ceramic Tile Distribution, Up-selling Strategies and Approaches, and The Porcelain Jungle.
What can attendees expect to see?
Here is just a sampling of some highlights of the unique and uncommon products that are due to debut.
• Artflor, Inc. (Booth A6) will showcase a hybrid-concrete tile line with textures, inlays and color effects never before seen in the industry. www.artflor.net.
• Azuvi (Booth 1914) will showcase its newest series Shape, part of the Performance collection. It is ideal for exterior facade applications. www.azuvi.com.
• Cerdomus (Booth 5025) will be launching Sculpture, an imaginative design from renowned Italian architect Massimiliano Fuksas. The collection’s corrugated surface can be laid vertically or horizontally on interior or exterior walls. www.cerodomus.com.
• Clay Décor, LLC (Booth A9), an artisan company that creates distinctive works of art for elegant home décor, will introduce a new line of elliptical-shaped tiles at the show. www.clay-décor.com.
• Coem/Fioranese (Booth 5430) will showcase the Chiaroscuro collection. From damask patterns to Asian-inspired floral motifs, the patterns in this line play with the contrast between light and dark. www.coem.it.
• Cotto D’Este (Booth 5420) will be exhibiting Kerlite, enriched with Zirconium particles which allow the piece to radiate in the light. www.cottodeste.it.
• Eco Ceramica (Booth 5438) will introduce New Liberty, a marriage of color, pattern and Celtic-inspired designs. www.ecoceramiche.com.
• El Barco (Booth 2336) is debuting several designs from Spain. The Earth Collection features Vulcano and Provenza in six different colorways and three sizes, both with companion hand-cut mosaic trims for kitchen or bath. www.elbarco.com.
• Etruria Design (Booth 4716) will debut the Optical collection of beveled wall tiles and the Haring collection, reminiscent of the designs of 80′s pop art icon Keith Haring. www.eturiadesign.com.
• Florida Tile Industries, Inc. (Booth 3100) is adding to its portfolio with Horizon, a fine glazed porcelain floor tile with stunning visual appeal reminiscent of the Nepalese landscape. Pinecrest is a glazed porcelain with the look and feel of natural sandstone. Stonehenge is a rustic glazed porcelain with slightly chiseled edges and distressed surface area. www.floridatile.com.
• Graniti Fiandre (Booth 418) will be introducing GeoDiamond Textured, a tile embedded with tiny, sparkling metal embellishments. NewGround, a superior alternative to stained concrete, can be used on interior and exterior floors and walls without the need for stains, waxes, sealants, or coatings. NewStone employs a new technology that allows slabs to be formed into right angle curves without seams or grout lines. www.granitifiandreusa.com.
• Inalco (Booth 2616) will debut the Oppalo series, available in such fresh colors as Naranja (orange), Verde (green), Frambuesa (raspberry) and Azul (blue). Each color features a lighter and darker version, which mix nicely with its complementary lines of crystal borders. www.inalco.es.
• Iris Group (Booth 3205) will be launching MA.DE (Materials and Design), a contemporary series that includes three distinct textures: a three-dimensional waffle-grid structure; a rattan pattern; and, a smooth sleek metallic. www.irisus.com.
• Lea Ceramiche (Booth 4640) is adding the Studies line to its extensive portfolio. Developed by Diego Grandi, Elle Decor Italia’s Young Designer of the Year, Studies is sandblased tile. Included in the series are such fresh patterns as Scratch, Seed, Route, Knit, Plan, Grid and Outline. www.ceramichelea.it.
• Oceanside Glass Tile (Booth 3222), a world leader in the design and production of handcrafted luxury glass tile, will debut Facets®, a new line of intricately detailed borders and field tile patterns features gem-like mini glass tiles as small as ½ inch square. www.glasstile.com.
• Florim Cermiche S.P.A. (Booth 5006) will showcase the Ma Touche Collection of fine porcelain stoneware offered in four faux textures imitating leather, elephant and crocodile skin, and three colorways: Ivoire, Tabac and Charbon. www.rex-cerart.it.
• Roca (Booth 1035) will feature the Norway series. This porcelain tile, available in six colorways, can be combined to create unique effects. A wide range of decorative inserts also is part of the collection.
• Venus (Booth 2400) will introduce Medusa to its existing Scandal Touch Collection. The leopard-inspired tile, available in Red Amour, Brown Hypnotic and Blue Feeling, complements other lines in the existing Venus collection, including Decor, Idol and Oh La La. www.venusceramica.com.
Making Coverings navigable
Coverings can overwhelm. It occupies every inch of the 505,000 net square feet of exhibit space at the Orange County Convention Center in Orlando, filling it to the rafters with individual displays and pavilions of ceramic tile, natural stone and relevant ancillary products and services—machinery and tools, grouts and adhesives, installation and cleaning supplies, to name a few. The number of vendors totals close to 1,200 representing some 56 countries on six continents. Factor in the 75 free and accredited educational workshops, conferences and seminars that are scheduled throughout each of the days, April 4-7, and it adds up to a tremendous number of business opportunities to be explored for any one of the 32,000 professionals who attends.
This year, however, the show has been made more manageable by connecting buyers to sellers with the Coverings Matchmaking Service, a user-friendly online program that lets an attendee search for exhibitors of interest by product or service. Accessible year-round, www.coverings.com/matchmaking, can generate a personalized “must see” list of exhibits to have in hand upon arrival at the show. Visit www.coverings.com to get started!
March 1st, 2006
The Ceramic Tile Distributors Association (CTDA) reaches another milestone in its 27 year history of maintaining a strong industry with the launch of the Certified Ceramic Tile Salesperson (CCTS) program! Through the CCTS program, companies can gain prestige, professional recognition, expanded knowledge and increased customer satisfaction through documented sales competence. It’s the first and only certification program specifically designed by and for ceramic tile salespeople!
Developed by professional ceramic tile sales experts with the assistance of Southern Illinois University (SIU), the CCTS program covers the necessary skill sets to meet customers growing demands.
The benefits are significant:
• Increase professionalism
• Promote focus on product features and benefits
• Increase employee pride
• Provide a competitive edge
• Increase profits
• Establish the CTDA as an important standard-setting body for professional competence in the ceramic tile industry.
SIU’s Department of Workforce Education and Development (WED) is one of the largest workforce-related professional development preparation agencies in the United States , and offers undergraduate and graduate preparation through the master’s and doctoral degrees.
Pilot testing will be held April 3, 2006 at 3 p.m. EST and April 4, 5, 6, 2006 at 7:30 am EST at the Orange County Convention Center . Those people who take the pilot test will be given complimentary registrations to the formal certification testing that will begin in November of 2006 at the CTDA Management Conference in Ft. Lauderdale , Florida .
For more information or to register for the pilot testing, contact the association at 630-545-9415.